Director Darren Aronofsky’s “The Whale” guarantees an Oscar nomination, if not a win, for its lead actor Brendan Fraser. After seeing the movie, the thrill round his efficiency takes on a sinister air. Zach Baron’s 2018 GQ profile detailed the explanations behind Fraser’s transfer away from Hollywood’s highlight. Whereas an alleged sexual assault by Philip Berk, the previous president of the Hollywood International Press Affiliation, in 2003 isn’t the one terrible expertise he’s suffered, it affected him deeply. (The HFPA offers out the Golden Globes every year.) A couple of weeks in the past, Jezebel celebrated him as a “former himbo,” however Fraser now appears like an abnormal 53-year-old man, not a glamorous film star.
To play Charlie, the overweight homosexual protagonist of “The Whale,” Fraser placed on kilos of rubbery prosthetics and utterly buried his physique in a fats swimsuit. Fraser himself is heavy, however Charlie weighs a minimum of thrice as a lot. Aronofsky makes positive we don’t miss a single wobble of his latex neck and massive quivering stomach. (The movie consists of one of many few male full frontal nudity scenes that thinks it’s daring for not exhibiting genitalia.) Whereas Charlie has got down to eat himself to loss of life, “The Whale” by no means misses a possibility to point out how disgusted it’s by his physique. Within the second scene, he has a coronary heart assault whereas masturbating to homosexual porn; the movie presents somebody with a physique like his retaining a libido as actually harmful. For additional humiliation worth, Christian missionary Thomas (Ty Simpkins) walks in on him. When Charlie eats pizza or fried rooster, the digital camera catches each single drop of grease on his face. Aronofsky repeats his relish of the bodily degradation of drug dependancy from “Requiem for a Dream” with meals this time. The affect of “The Whale” performs off our information of Fraser’s picture as a hunk in his 20s.
Charlie teaches school English courses on-line, refusing to point out his face in Zoom classes and reveal his weight to his college students. A pal, Liz (Hong Chua), serves as a nurse, however though he’s near loss of life, he refuses to go to the hospital. Thomas and Liz end up to have belonged to the identical church, New Life, though she has rejected its apocalyptic ethos. After popping out as homosexual and leaving his ex-wife Mary (Samantha Morton) for a person who went on to die by suicide, he has been estranged from Mary and their daughter Ellie (Sadie Sink). Now 17 and a teen attempting extra time to be as offended as attainable, she comes to go to him for the primary time in 9 years, mistakenly considering he intentionally deserted her.
Homosexual screenwriter Samuel Hunter, who tailored his personal play, primarily based some elements of “The Whale” upon his personal life. He says “I do know many people who find themselves huge, comfortable, and wholesome, however I wasn’t. I had a variety of unprocessed feelings from attending a fundamentalist Christian college the place my sexuality got here to bear in an unsightly means, and that emerged in an unhealthy relationship with meals.”
Nonetheless, the expertise that Hunter and Fraser dropped at the movie is belied by Aronofsky’s path. If that they had any curiosity in handing over a respectful depiction of a self-destructive fats man, it’s ruined by his customary coldness and edgelord tendencies. (When “The Whale” isn’t unpleasantly misanthropic, it turns sentimental on a dime.) Charlie’s suicidal urges have one easy trigger, which is never true in life. (In contrast to most actual Individuals who might need related issues, his pleas that he can’t afford medical health insurance or incur medical debt develop into lies.) Alan’s loss of life despatched him down the identical path. Fraser does his finest with the position, however this comeback is painfully masochistic. Its reliance on his willingness to be objectified and the distinction with our reminiscences of his look as a youthful man (in actual life) exploits the hell out of him.
As a lot as Aronofsky and Hunter would possibly consider “The Whale” as one individual’s story, it leaped into the center of debates about physique positivity, using fats fits, the casting of heterosexual actors in queer roles, and the ubiquity of movies exhibiting homosexual males as depressing and lonely. It’s hopelessly unprepared to cope with them in any considerate means; if it had, it wouldn’t have chosen this title. The script is clunky, doling out background details about the characters at common intervals, whereas the parallels between “Moby Dick” and Charlie’s life would make any actual English trainer ask for a second draft. Its thought of complexity is having individuals act like absolute jerks — even to the purpose of drugging one another and threatening to make false rape claims — for 90 minutes after which present a number of redeeming qualities within the third act. The ultimate scene is meant to be an emotional revelation, but when it weren’t so grim and visually ugly, it might be laughable. The identical might be stated of your complete movie.
“The Whale” | Directed by Darren Aronofsky | A24 | Opens Dec. ninth on the Angelika Movie Heart and Alamo Drafthouse Brooklyn